From the moment Meg seeks entry into the priesthood, her vocation is challenged. Charting a path through the campaign for women’s ordination, Stale Bread & Miracles unfolds into a story that is heart-breaking and hopeful… an unflinching meditation on the dehumanising power of the institution and the humane tenacity to re-invent life, told in language that combines the rhythm and lyricism of poetry with the narrative minimalism of pared down prose. This is an extraordinary narrative, now in it’s third edition.
‘Far beyond the clear-sighted documentation of institutional attitudes, this is the examination of one woman’s journey through a process. It is a word-dance of seven-times-seven veils, each peeled off, held up to the light and then laid aside until we see Meg, alone in the spotlight, as the curtain comes down. I found myself giving her a standing ovation – Brava! Brava!’ — Ann Drysdale
Jan Fortune was born in Middlesbrough and read theology at Cambridge. She completed a doctorate in feminist theology and has worked as a teacher, priest (ordained at the first ordination of women to the CofE) and charity director. She is the founding editor of Cinnamon Press and has edited around 300 books, led numerous creative writing courses in the UK, Spain and France, and mentored writers who have gone on to publication. Her previous publications include non-fiction titles in alternative education and parenting; the novels: The Standing Ground, Dear Ceridwen and Coming Home; and four poetry collections, including Slate Voices (a collaborative collection with Mavis Gulliver), Stale Bread & Miracles, Edge (a companion to Adam Craig's Year W), and Turn/Return, a pamphlet inspired by Brian Eno's Oblique Strategies cards. Her most work is the Casilda Trilogy of novels, This is the End of the Story, A Remedy for All Things and For Hope Is Always Born, and their new follow-up, Saoirse's Crossing.
She lives in the wild wet foothills of the Moelwyns in North Wales, beneath the abandoned slate village of Cwmorthin.